Let's speak about the in-situ curation of my art installation ‘Untitled (111 Subjects)’, including the sea of data, the hidden viewing station with one-way mirror, and the audio installation...

Hazy grey bars, wrappings with wax thread, deconstruction and three random words - the thought provoking details of ‘Untitled (111 Subjects)’ ...

I can’t tell you how happy I am that after months of work, the ‘Final Major Project’ of my MA Fine Art is finally done!

I am really interested in exploring the algorithmic gaze in relation to power and control with my work. This is something ...

My work often uses the algorithmic gaze as an instrument to help examine and make sense of the world by looking beyond the surface, both...

I love looking at the work of other artists working at the interface of art & medicine, including Helen Chadwick, whose...

A few days ago, we installed a group exhibition in London called 'Decrypt'. It's shown at arguably London's most atmospheric exhibition...

My sculptural work ‘Deep See’ is currently at show in an outdoor art exhibition put on by Surrey Hills Art.

I had the pleasure to see Ai Weiwei’s work at Kettle’s Yard in Cambridge recently, but the irony wasn't lost on me that...

‘Polyvalent 1 & 2’ are two site specific works that were created in a collaboration between myself and artist and filmmaker Rukiah Zakaria.

As part of my MA Fine Art course, we recently went on a tour of London West End galleries – you may call it an art marathon...

Just a quick note to make you aware of work exploring the theme 'Mother Tongue' currently on show at the James Hockey Gallery Farnham.

Have you heard of Trataka, candle flame gazing meditation? Try out a digital version by watching 'Vanishing Traces'.

We are all aware of the term surveillance, but have you heard of sousveillance? And what about 'peerveillance'?

Thoughts on our upcoming group show in Jane Austen house in Chawton - the first contemporary art exhibition they have ever done.

In the James Hockey Gallery, there is currently an exhibition on, called ‘Documents from the edges of conflict’ that I can highly recommend.

The embodied self is not explored in isolation, as my work investigates the embodied experience in a marked period of history.

As part of my current MA in Fine Art, I have been exploring the sense of self and identity in relation to embodied experience.

You may have noticed that my work often makes use of grids and repetition. And I am of course not the only artist who made grids their own.

While I have thought a lot about systems and activism in the past year, my interest in performance is more recent.

While many artists hate the dirty mess of printmaking, it turns out that I really love it. Here is why...

While I always assumed that I hate Josef Beuys (apologies…), it seems I may in fact be in love with Beuys’ work.

My visit to ‘The Factory Project’, a huge, curated art event in a derelict warehouse in London's East End.

I’m excited to announce I’ve donated two pieces of art to a Secret Postcard Auction in support of mental health charity CombatStress.

‘At Faith Value’ investigates the current censorship of 'dissenting' opinions and the death of the scientific method.

Is the Cristian ichthys (fish) symbol really derived from Vagina Power?

My fine art collage polyptych 'Birds, X-Men & Jesus' being shown at Safehouse London.